Its fast pace alone shows that it is more of a commodity than a permanent work of art. It is thus a product of industrial society. The invention of the gramophone and the emerging film industry quickly contributed to the spread of the hit. Schlager in a café chantant in Copenhagen, 1919 The invention of sheet music printing with types in the 16th century enabled the mass distribution of music across Europe for the first time, so that melodies such as Pavane de Spaigne, La Spagnoletta (or Españoleta, etc., the "little Spanish melody" ), La Follia and many others became well known. as a hymn with a new text or as a hidden musical basis for sacred figural music. Historically, from the end of the Middle Ages, there have been demonstrable joking or crude songs that circulated among the common people and were either ignored or assimilated by art music - e.g. Kluge / Götze already suspected that the image came from the striking lightning and was then transferred to politics and other areas from the mention in the newspaper criticism. The DWDS accepts as a musical newspaper criticisms and the dictionary of Kluge (1967) 1881, in which the word "as an expression of music criticism established, spread by the daily press," and then to other particular " current and effective phenomena (book, theater play, a rapidly departing product) ”was transferred. Linguistically, the expression “Schlager” can be traced back to Viennese, according to Duden “probably after the resounding success that is compared to a lightning strike”. In 1870, the term can be identified for the first time for particularly successful operetta numbers and popular musical plays. A systematic demarcation from other genres also proves to be difficult. There is no clear definition of Schlager in musicology and is described by individual authors as "difficult" and "not possible". 2.s - the split between Schlager and pop music.2.5 Economic miracle (around 1955 to around 1962). 2.2 Rise through the mass media record, radio and sound film (1920–1933).
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